Metal in Botswana: Part Two – Reception

This is the second part of my series of posts on Botswana. Part One can be found here. In this installment, I’m talking about how the Botswanan scene compares to scenes abroad, and about the scene’s reception.

The notion of metal in Botswana – particularly such a vibrant, committed scene, composed almost entirely of black fans and musicians – is a strange one, as metal is traditionally seen as a white and European or American scene. While there’s an element of truth to this, I think it’s important to remember that there’s a huge and long-standing death/thrash scene in Indonesia, and scenes thrive in many places that aren’t majority white.

The striking images of Frank Marshall’s exhibit, which were one of the first mainstream exposures of the scene, also emphasise the unique fashion dominant among the scene’s fans.

This extract from metal blog Invisible Oranges describes many of the possible reactions to discovering the Botswanan scene:

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Festival Report – Brutal Assault, 7-10 August, Jaromeř, Czech Republic,

Okay guys, this is going to be a long one. It’s mostly going to be a list of bands I saw at Brutal Assault last week, brief reviews of their sets, and assorted observations about the festival and the Czech Republic. If you’re not fully sure what grindcore is or how it’s different to death metal, you may want to skip this one.

Or better yet, keep reading! Every day is a school day!

If you want to skip ahead to the bits where I say nice things, the highlights for me were: Carcass, Dying Fetus, Gojira, Ihsahn, In Flames, and Meshuggah; and standout new discoveries were Alcest, Dr. Living Dead, Leprous, and War from a Harlot’s Mouth. Continue reading