Metal in Botswana: Part Two – Reception

This is the second part of my series of posts on Botswana. Part One can be found here. In this installment, I’m talking about how the Botswanan scene compares to scenes abroad, and about the scene’s reception.

The notion of metal in Botswana – particularly such a vibrant, committed scene, composed almost entirely of black fans and musicians – is a strange one, as metal is traditionally seen as a white and European or American scene. While there’s an element of truth to this, I think it’s important to remember that there’s a huge and long-standing death/thrash scene in Indonesia, and scenes thrive in many places that aren’t majority white.

The striking images of Frank Marshall’s exhibit, which were one of the first mainstream exposures of the scene, also emphasise the unique fashion dominant among the scene’s fans.

This extract from metal blog Invisible Oranges describes many of the possible reactions to discovering the Botswanan scene:

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